Watch She & Him's Zooey Deschanel-Directed "I Could've Been Your Girl" Video
Zooey "Is That Rain?" Deschanel has directed a painfully adorable new video for She & Him's new Volume 3 (out now) single "I Could've Been Your Girl." As debuted earlier today on Deschanel's website (which I didn't previously know but am completely unsurprised to learn is called Hello Giggles), the video was reportedly inspired by Zooey's favorite musicals from the 1960s… because of course, right?
Follow MusicOlogy for all the latest news, reviews, leaks, rumors, videos, tour dates, features, fan events and more from your favorite bands and artists
Check it out in the media gallery above (keep your eyes peeled for M. Ward's dutiful cameo) and let me know what you think in the comments below.
“Contradictions in my thoughts, and I just execute my feelings…”
ScHoolboy tapped into the Billboard Top 100 last year with
his proper debut Setbacks after
landing on West Coast radars with his ScHoolboy
Turned Hustla and Gangsta & Soul
mixtapes, and, as has been the trend with his fellow Black Hippy Top Dawg
Entertainment cohorts, he’s continuing to surpass what seems a prime with his
releases, the most recent, Habits and
Contradictions, shunning off the skill of its predecessors as if they were
child’s play in comparison despite their prodigy.
HnC drops built
steam simply off of mention when ScHoolboy announced it as the predecessor to Setbacks last September, though it sits
as its own entity built in the world of personal dealings ranging from slinging
pills (“Oxy Music”), herbs and Hennessy, street brovado
(“N*ggaHs.already.know.davers.flow”) and dames (“Sex Drive”), bookended by
statements on the skewed duality of the conscience and the contradictions in
the abandonment of optimism.
The album opens with the morose “Sacrilegious,” a narrative
following the contradictions of a killer seeking salvation, a man that “can’t
get over that hump with life and shit,” who ultimately finds solace through suicide
(ScHoolboy in an interview with OnSmash). HnC
is quick to change pace with records like the Jay Rock included “2 Raw” with
its heavyweight bars, swagger track “Druggy’s Wit Hoes Again” (which features
one of Ab-Soul’s best verses), and “Gangster In Designer (No Concept),” though
the tracklist still holds its notable oddities of individuality.
The astral tone slack flow chillers like “Groovelines Pt. 1
Feat. Dom Kennedy and Curren$y” and “How We Feeling” stray the album’s
dimensions, with sounds in the latter composed of slow flow intones—“House full
of money, tub full of bitches, we be sexing all night, give your ass the
business…we feeling alright”—clasped by some spokenword with scattered
utters. With some A$AP Ty sounds, ScHoolboy nabs a slice of Jay and Ye’s
“N*ggas in Paris” to talk the TDE banner throne, tossing a few ambiguous shots
in self-proclaimed greatness, while the additional A$AP family link with Rocky
in “Hands on the Wheel” anthem features some sublime instrumentals from Best
Kept Secret, built from some cuts from Lissie’s rendition of Kid CuDi’s “Pursuit
of Happiness” that epitomize the nirvana in intoxication. Some turns are too
awkward, such as THC’s electro-beat instrumentals in “Sex Drive Feat. Jhene
Aiko” and “Tookie Knows Interlude,” though it’s rare you’ll find anything too
strange for the taste, as the production throughout from boardwizards in the
family of Lex Luger, Mick Will (hit up “My Hatin’ Joint), Tabu (“Sacrilegious”)
and Nez & Rio (those “Blessed” necessities) collect a mulligan stew of
style.
The link between Alchemist and ScHoolboy in “My Homie” is
where reality is revived through a narrative detailing the division between a
childhood friend turned snitch and drug-slinging kingpin ScHoolboy: “When we was younger, you was my main
n*gga, I wouldn’t figure you would be on that stand putting my life up in your
hands, pointing your finger like damn…We was just slinging Oxy like a year ago,
you knew my sister, though, Auntie, cousins, and my Uncle Joe…Remember them
Cherrios, Ninja Turtles on my grandma’s floor…you got your sentenced reduced
‘cause you told them I pulled the trigger…”
The closer “Blessed” is the undoubted magnum opus of Habits and Contradictions, ScHoolboy’s
autobiography written in introspection, and portrait of endurance under the
social duress of the environment. It’s the most fitting record for Kendrick to
appear on, working in that Section.80
vein, and contrasted against records like “N*ggaHs.already.know.davers.flow,”
you can see ScHoolboy’s topical versatility as an emcee.
Tradition and evolution are the theories behind the music
here, with a West Coast anchor and pioneer philosophy that saves Habits and Contradictions from definite
labels and ties of the times. From “Sacrilegious” to “Blessed,” ScHoolboy Q
makes an appeal across the spectrum with the varying wavelengths, making the LP
highly accessible, and as personal as it is broad. Smoke to it, drink to it,
listen, learn and chill—Habits and
Contradictions is meticulously crafted with everything the title implies.
SumOlogy: ScHoolboy’s
best. Habits and Contradictions sets
the tone for the first half of 2012.
4.0/5.0
Pick up the new ology.com iPhone app for free over at iTunes.
Want to connect more with fellow Hip-Hop Ologists? Join the discussion over onMy.Ology.
Comments (0)
Be the first to comment!