After Control System, I had some trouble envisioning how more strangely genius Ab-Soul could topically get with his sounds, but this Facebook leak "Nibiru" that dropped last night tromps that thought with the somewhat blend of Egyptian history, modern-day and ancient conspiracies, scientific anomalies and phenomenon, the ethereal, spectral and astral, Native American folklore, etcetera, etcetera, etcetera. As usual, it's a showcase of Soulo's knowledge on topics most people save for scholars don't do much heavy reading on, and another exceptional presentation on how he manages to fit the aforementioned mulligan stew of oddities and history into music.
Something of the theory here brings to mind Ras Kass' "Nature of the Threat" in terms of historical lenses, and brings out a few memories from Vast Aire, who's built a career off of forming poetry around similar interests (maybe that's just me though). With JMSN's production, I, once again, cannot compare Ab-Soul to anyone else, and only have further reason to believe that stylistically, he's hip-hop's premier operator.
I could run on writing a thesis about these things, but I'm going to let it lie, as I'm beginning to get an academic migraine. Here's "Nibiru"; give it a listen, throw up your thoughts.
In case you were wondering, "Nibiru" refers to the cataclysm theory that sometime this century, Earth will collide, or barely pass a similarly-sized planet. It's essentially the doomsday prophecy drawn from early Sumerian and Babylonian astrological predictions, thus why the name linguistically holds root in their language.
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